- "Sam's Song"- Sammy Davis Jr and Dean Martin
- "Spring Waltz"- The Price is Right
- "Daytripper"- Sergio Mendes and Brasil '66
- "Teach Me Tiger"- April Stevens
- "Born Free"- Roger Williams
- "Winchester Cathedral"- Frank Sinatra
- "That's Not Me"- The Beach Boys
- "C'est Magnifique"- Nelson Riddle
- "Vive L'Amour"- Dickey Doo
- "Just a Gigalo, I Ain't Got Nobody"- Louis Prima
Second Set
- "Brazil"- Tito Contreras
- "Way Down Yonder in New Orleans"- Van Alexander.
- "Taki Rari"- Yma Sumac
- "Diga Diga Doo"- John Buzon Trio
- "Please Don't Talk About Me When I'm Gone"- Sammy Davis Jr.
- "I Don't Know Enough About You"- Peggy Lee
- "Sweet Affection"- Sarah Vaughan
- "El Garbanzo"- Herb Alpert and Tijuana Brass
- "Hernando's Hideaway"- Billy May
Third Set
- "The Misfits"- Don Costa
- "Heartbreak Hotel/ Don't Be Cruel"- Hollyridge Strings
- "Music to Watch Girls By"- Andy Williams
- "Get Smart/Casino Royale"- Frank Porcel
- "Oh! Lady Be Good"- Artie Shaw
- "Hannah Negila"- Irving Fields Trio
- "I Love You Much Too Much"- Irving Fields Trio
- "Hawaiian Wedding Song"- Martin Denny
- "Lucky"- Linda Laurie
- "Mambo Parisienne"- Henry Mancini
Fourth Set
- "Fools Rush In"- Sammy Davis Jr.
- "Embraceable You"- Judy Garland
- "Somebody Stole the Wedding Bell"-Eartha Kitt
- "Is That All There Is"- Peggy Lee
- "Up, Up and Away"- Klaus Wunderlich
- "Gum Shoe Lullaby"- Enoch Light
- "Let it Be Me"- Tom Jones
- "Georgy Girl"- Roger Coulam
1 comment:
Dear Victoria,
I tuned in to your show for the first time this morning, on my way to a family reunion in Albany at which I expected to feel, er, "distinct" as a result of my vastly different socio-political orientation. This branch of my family being deeply conservative--- me, not so much. I live in DC, very far away from their world. Anyway, having been weaned by WRAS on weird music in the late seventies, I was delighted in your show. It encapsulated everything that I was feeling at the time; here I was headed into a mash-up of cultures and generations and feeling more than a little odd about some parts of it. MCQ, presenting as it does the wonderful and weird results of the mash-up of 50s-60's orchestral schmaltz, pure pop, and the fringes of rock, gave me a lot to hold on to, and to think about. Thank you.
David
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